This page treats the Anand Karaj, the Sikh solemnisation, specifically: the ceremony conducted in the presence of the Guru Granth Sahib, its text, its history and its law. It is one of three treatments. The nikah and the Hindu vivāh as practised in Punjab are forthcoming and will be given the same shape.
A Sikh marriage is not conducted by anyone. The couple sit before the Guru Granth Sahib — the Sikh scripture, which Sikhs regard as a living Guru rather than a book about one — a scarf is placed from one hand into the other, and four stanzas composed by the fourth Guru are read aloud and then sung while the couple walk four times around it. There are no vows and no ring. The standing of the couple and their parents is the consent; the four circuits are the marriage.
The stanzas are called the , and they are not, on their face, about marriage. They describe four stages by which a soul comes to rest in the divine. The ceremony borrows a wedding to teach that, rather than the other way round — and the Sikh code of conduct instructs whoever is officiating to say so, out loud, in the room, before the walking begins.
The name
ਅਨੰਦ ਕਾਰਜ · anand kāraj · ISO anaṁda kāraja · pronounced roughly uh-NUND KAA-ruj — the first vowel a short u as in but, not the a of and.
is bliss, joy, deep contentment — not merely happiness, but the settled kind that is left when wanting stops. is a work, a task, an affair, an undertaking; in Punjabi it also carries the specific domestic sense of a function — the big family event a household spends a year preparing for. So, literally: the blissful undertaking, or the work of bliss. Widely rendered “blissful union.”
The pairing runs deeper than the gloss. Anand Sāhib is the composition of Guru Amar Das, the third Guru, and it is from the hymn that the ceremony takes its name — not the other way round. A Sikh wedding is named after a poem about the joy of finding God.
A more formal name for the rite is Anand Sanskār (ਅਨੰਦ ਸੰਸਕਾਰ), sanskār being a rite of passage; it appears in written Sikh sources. In everyday Punjabi speech, and on every gurdwara notice board in the world, it is Anand Kāraj. Both are correct, and this page uses the one people say.
Established
Confidence: high. The authorship of Anand Sāhib and of the lāvāṅ is recorded in the Guru Granth Sahib itself. That the ceremony is named after the hymn is not disputed.
In a sentence: ਉਨ੍ਹਾਂ ਦਾ ਅਨੰਦ ਕਾਰਜ ਗੁਰਦੁਆਰੇ ਵਿੱਚ ਹੋਇਆ। — unhāṅ dā anand kāraj gurduāre vich hoiā — “Their Anand Karaj took place in the gurdwara.”
The order of service
What follows is a Saturday morning at a gurdwara, in the order a guest would see it. The whole thing runs to about an hour and a half, of which the ceremony proper is perhaps forty minutes, and it is not a private occasion — anyone in the hall is a witness, and the hall is open.
Then the ordinary close. A final ardās; the , a verse opened at random and read as the day's instruction; put into every cupped hand from the same bowl; and , which is no part of the ceremony and is never missing from it. None of that is particular to a wedding — it is how every gathering before the Guru Granth Sahib ends.
Common practice
This is a description of what is generally done, not a measurement of it. It rests on published accounts of the ceremony rather than on survey data, and gurdwaras vary — in the length of the address, in whether the sangat sits split by gender, in which of the two closing shabads is sung. No figure for how common anything is appears anywhere on this page, because no reliable one exists. Confidence: high on the sequence, which does not vary; moderate on the detail around it, which does.
Five things the order does not tell you
The room itself
The Guru Granth Sahib sits on a raised platform — the , literally “the honoured cot,” the same word as the string bed in every Punjabi house — beneath a canopy, the . Someone stands over it waving a , a whisk of fine fibres, continuously, throughout. In the courts of the subcontinent the chaur was waved over a sovereign.
Every physical courtesy in the room is addressed to the scripture: the covered heads, the removed shoes, the bowing, the fact that nobody turns their back to it and nobody's feet point towards it. The couple do not face an officiant. They face the Guru, and they are married in its presence rather than by anyone's authority. This one fact explains most of what a first-time visitor finds unfamiliar, and it is worth having before anything else.
Religious tradition
There is no priest
Nobody in the room holds an office that makes the marriage valid. Any Sikh may conduct an Anand Karaj, and that Sikh may be a man or a woman — a fact that surprises people and is worth stating plainly. In practice it is almost always a : the person who reads and attends the scripture, a gurdwara employee rather than a cleric, and simply the one who is there. What the granthī does is read, explain and lead the . What the granthī does not do is marry anybody.
Established
The pallā means two things at once
Both readings are real and this page does not choose between them.
The theological reading. is the hem or end of a garment. To “catch someone's pallā” in Punjabi idiom is to attach oneself to them, to place oneself in their keeping. The shabad sung at this moment uses exactly that idiom about the divine — tau palai taiḍai lāgī, “then to your hem I attached myself” — so the cloth in the hand is a physical enactment of the metaphor. Religious tradition
The social reading, stated without euphemism. A father transferring his daughter to another household is a transfer of guardianship, and in a patrilocal society that is what it has historically meant. The tenderness of the moment and its patriarchal structure are both real. Established
A west-Punjab voice in the middle of the ceremony
The shabad sung at the pallā is a slok of Guru Arjan, and its Punjabi is not the Punjabi of the room. Habh, habhe, habhu for “all;” taiḍai for “your;” ḍiṭhe for “seen” — these belong to the Lahnda dialects of the western plains, Multani and its neighbours, the speech of what is now southern Pakistani Punjab. Guru Arjan wrote a number of compositions in them.
So at the most charged moment of a Sikh wedding in Ludhiana or Leamington Spa or Surrey, what is sung is a verse in a west-Punjab dialect that most of the room could not produce a sentence in. The ceremony carries a piece of the other Punjab inside it without anyone remarking on it.
Established
The circling, and what it is not
Most Punjabis, whatever their religion, call a circuit like this a — the same ordinary word used for the circuits walked around a fire at a Hindu vivāh. Same word, same motion, different centre, and the change of centre is the whole nineteenth-century argument in the history below.
Two things about the walking itself are easy to miss. The couple is joined, not led — nobody gives the bride away at the point of walking; she walks behind, holding cloth that is held by a man who is himself walking, and staying in step is frequently described in the address as the first practical negotiation of the marriage. And the reading comes before the singing: the word is spoken as instruction, then sung as celebration, so each stanza happens twice, in two registers, before one circuit is finished.
What is sung at the close is an excerpt
Both closing — Vīāhu Hoā Mere Bābulā and Pūrī Āsā Jī Mansā — are a single stanza lifted out of a longer composition. What is sung at the close of an Anand Karaj is not a whole poem, and this page does not present it as one. The same is true of Anand Sāhib, which is forty stanzas long and of which six are used.
The text
Six compositions make up the ceremony's scriptural spine. All six are in the Guru Granth Sahib, and every one is cited below by — the Sikh word for a page of the scripture, which literally means limb, because the book is regarded as a body.
Every line of all six was extracted from its address in the source corpus and checksummed. That is not the same as the second, independent check described in the sources drawer, which has not yet been run.
Two things about these citations belong on the page rather than in a footnote. Rows 4, 5 and 6 are abridgements. Anand Sāhib is forty stanzas long and six are used — the short form called Chhoṭā Anand Sāhib, sung across Sikh life at gatherings of joy and of mourning alike — and the two closing shabads are a single stanza each, lifted out of longer compositions. And row 1 is a pauṛī while row 2 is a — both units within a , a ballad of alternating sloks and pauṛīs. Neither is a free-standing shabad. A granthī will notice if the citation says otherwise.
52 lines are printed above. A further 21 lines of these compositions are sung at the ceremony and are held, verified and checksummed, in the page's data file — including stanzas two to five of Anand Sāhib and the shabad sung at the pallā. They are not printed here because this is an explanation rather than a service book; the projection tool below carries the fuller text.
Where the interpretations differ
The four lāvāṅ are universally explained inside the tradition as four stages of the soul's union with the divine, with the human marriage as the vehicle of the teaching rather than its subject. That is not an overlay a commentator has added — it is what is taught aloud, in the room, in the address before the walking begins, at essentially every Anand Karaj.
A minority reading — audible in some commentary and in a great deal of popular explanation — treats the four stages as literal advice to a couple. Both readings run through the same text, and the second is not fringe.
ContestedReligious tradition
The majority position is clear; the minority is real. Confidence: medium-high that the split is as described.
Project this ceremony
The text above, set for a screen at the back of a darbar hall: Gurmukhi, a romanisation and the English translation, one stanza at a time, advanced by whoever is operating the laptop. It never advances by itself. It works with the wifi off.
This tool is for practice and testing only. The scripture on these slides was extracted from a versioned digital corpus and checksummed line by line, but it has not yet been read and confirmed by anyone who reads Gurmukhi. Until it has, do not project it at a ceremony.
21 slides in simple mode · press Esc to leave at any time
This tool is for practice and testing only. The scripture on these slides was extracted from a versioned digital corpus and checksummed line by line, but it has not yet been read and confirmed by anyone who reads Gurmukhi. Until it has, do not project it at a ceremony.
What happens next
The rāgīs sing while the congregation settles and the couple are seated.
The Guru Granth Sahib sits on a raised platform — the mañjī sāhib, literally “the honoured cot,” the same word as the string bed in every Punjabi house — beneath a canopy, the chānaṇī.
The couple do not face an officiant. They face the Guru, and they are married in its presence rather than by anyone's authority.
Opening
The opening kīrtan
ਕੀਤਾ ਲੋੜੀਐ ਕੰਮੁ; ਸੁ ਹਰਿ ਪਹਿ ਆਖੀਐ ॥
kītā loṛīai kammu; su hari pahi ākhīai ॥
Whatever work you wish to accomplish-tell it to the Lord.
The opening kīrtan
ਕਾਰਜੁ ਦੇਇ ਸਵਾਰਿ; ਸਤਿਗੁਰ ਸਚੁ ਸਾਖੀਐ ॥
kāraju dei savāri; satgur sachu sākhīai ॥
He will resolve your affairs; the True Guru gives His Guarantee of Truth.
The opening kīrtan
ਸੰਤਾ ਸੰਗਿ ਨਿਧਾਨੁ; ਅੰਮ੍ਰਿਤੁ ਚਾਖੀਐ ॥
santā saṅgi nidhānu; amritu chākhīai ॥
In the Society of the Saints, you shall taste the treasure of the Ambrosial Nectar.
The opening kīrtan
ਭੈ ਭੰਜਨ ਮਿਹਰਵਾਨ; ਦਾਸ ਕੀ ਰਾਖੀਐ ॥
bhai bhanjan mihrvān; dās kī rākhīai ॥
The Lord is the Merciful Destroyer of fear; He preserves and protects His slaves.
The opening kīrtan
ਨਾਨਕ. ਹਰਿ ਗੁਣ ਗਾਇ; ਅਲਖੁ ਪ੍ਰਭੁ ਲਾਖੀਐ ॥੨੦॥
nānak. hari guṇ gāi; alakhu prabhu lākhīai ॥20॥
O Nanak, sing the Glorious Praises of the Lord, and see the Unseen Lord God. ||20||
The opening kīrtan
The verse asks that any work one wishes to accomplish be placed before God first.
ਕੀਤਾ ਲੋੜੀਐ ਕੰਮੁ; ਸੁ ਹਰਿ ਪਹਿ ਆਖੀਐ ॥
kītā loṛīai kammu; su hari pahi ākhīai ॥
Whatever work you wish to accomplish-tell it to the Lord.
ਕਾਰਜੁ ਦੇਇ ਸਵਾਰਿ; ਸਤਿਗੁਰ ਸਚੁ ਸਾਖੀਐ ॥
kāraju dei savāri; satgur sachu sākhīai ॥
He will resolve your affairs; the True Guru gives His Guarantee of Truth.
ਸੰਤਾ ਸੰਗਿ ਨਿਧਾਨੁ; ਅੰਮ੍ਰਿਤੁ ਚਾਖੀਐ ॥
santā saṅgi nidhānu; amritu chākhīai ॥
In the Society of the Saints, you shall taste the treasure of the Ambrosial Nectar.
ਭੈ ਭੰਜਨ ਮਿਹਰਵਾਨ; ਦਾਸ ਕੀ ਰਾਖੀਐ ॥
bhai bhanjan mihrvān; dās kī rākhīai ॥
The Lord is the Merciful Destroyer of fear; He preserves and protects His slaves.
ਨਾਨਕ. ਹਰਿ ਗੁਣ ਗਾਇ; ਅਲਖੁ ਪ੍ਰਭੁ ਲਾਖੀਐ ॥੨੦॥
nānak. hari guṇ gāi; alakhu prabhu lākhīai ॥20॥
O Nanak, sing the Glorious Praises of the Lord, and see the Unseen Lord God. ||20||
Sirīrāg · ang 91
What happens next
The couple and both sets of parents stand while everyone else remains seated, and the officiant offers ardās for the beginning of the ceremony. There is no exchange of vows, no “I do,” no ring, no register signed in the room. This standing is the consent.
The bride's father places the end of the groom's sash into her hand.
The couple are now physically joined by cloth, and will remain so through the four circuits.
At the pallā
ਉਸਤਤਿ ਨਿੰਦਾ ਨਾਨਕ ਜੀ, ਮੈ ਹਭ ਵਞਾਈ; ਛੋੜਿਆ. ਹਭੁ ਕਿਝੁ ਤਿਆਗੀ ॥
ustati nindā nānak jī, mai habh vañāī; chhoṛiā. habhu kijhu tiāgī ॥
I have totally discarded praise and slander, O Nanak; I have forsaken and abandoned everything.
At the pallā
ਹਭੇ ਸਾਕ ਕੂੜਾਵੇ ਡਿਠੇ; ਤਉ ਪਲੈ ਤੈਡੈ ਲਾਗੀ ॥੧॥
habhe sāk kūṛāve ḍiṭhe; tau palai taiḍai lāgī ॥1॥
I have seen that all relationships are false, and so I have grasped hold of the hem of Your robe, Lord. ||1||
At the pallā
The cloth being passed from one hand to another is the metaphor made physical.
ਉਸਤਤਿ ਨਿੰਦਾ ਨਾਨਕ ਜੀ, ਮੈ ਹਭ ਵਞਾਈ; ਛੋੜਿਆ. ਹਭੁ ਕਿਝੁ ਤਿਆਗੀ ॥
ustati nindā nānak jī, mai habh vañāī; chhoṛiā. habhu kijhu tiāgī ॥
I have totally discarded praise and slander, O Nanak; I have forsaken and abandoned everything.
ਹਭੇ ਸਾਕ ਕੂੜਾਵੇ ਡਿਠੇ; ਤਉ ਪਲੈ ਤੈਡੈ ਲਾਗੀ ॥੧॥
habhe sāk kūṛāve ḍiṭhe; tau palai taiḍai lāgī ॥1॥
I have seen that all relationships are false, and so I have grasped hold of the hem of Your robe, Lord. ||1||
Rāmkalī · ang 963
What happens next
Each stanza is read aloud from the Guru Granth Sahib; then the couple walk one circuit around it while the same stanza is sung. Four stanzas, four circuits. Between each, both bow to the ground.
The groom leads; the bride follows, holding the sash. They move clockwise, keeping their right side towards the scripture.
The four lāvāṅ
The first lāv
ਹਰਿ ਪਹਿਲੜੀ ਲਾਵ; ਪਰਵਿਰਤੀ ਕਰਮ ਦ੍ਰਿੜਾਇਆ, ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari pahilaṛī lāv; parvirtī karam driṛāiā, bali rām jīu ॥
In the first round of the marriage ceremony, the Lord sets out His Instructions for performing the daily duties of married life.
The first lāv
ਬਾਣੀ ਬ੍ਰਹਮਾ ਵੇਦੁ, ਧਰਮੁ ਦ੍ਰਿੜਹੁ; ਪਾਪ ਤਜਾਇਆ, ਬਲਿ ਰਾਮ ਜੀਉ ॥
bāṇī brahmā vedu, dharmu driṛahu; pāp tajāiā, bali rām jīu ॥
Instead of the hymns of the Vedas to Brahma, embrace the righteous conduct of Dharma, and renounce sinful actions.
The first lāv
ਧਰਮੁ ਦ੍ਰਿੜਹੁ. ਹਰਿ ਨਾਮੁ ਧਿਆਵਹੁ; ਸਿਮ੍ਰਿਤਿ ਨਾਮੁ ਦ੍ਰਿੜਾਇਆ ॥
dharmu driṛahu. hari nāmu dhiāvahu; simriti nāmu driṛāiā ॥
Meditate on the Lord's Name; embrace and enshrine the contemplative remembrance of the Naam.
The first lāv
ਸਤਿਗੁਰੁ ਗੁਰੁ ਪੂਰਾ ਆਰਾਧਹੁ; ਸਭਿ ਕਿਲਵਿਖ ਪਾਪ ਗਵਾਇਆ ॥
satguru guru pūrā ārādhahu; sabhi kilvikh pāp gavāiā ॥
Worship and adore the Guru, the Perfect True Guru, and all your sins shall be dispelled.
The first lāv
ਸਹਜ ਅਨੰਦੁ ਹੋਆ ਵਡਭਾਗੀ; ਮਨਿ ਹਰਿ ਹਰਿ ਮੀਠਾ ਲਾਇਆ ॥
sahaj anandu hoā vaḍbhāgī; mani hari hari mīṭhā lāiā ॥
By great good fortune, celestial bliss is attained, and the Lord, Har, Har, seems sweet to the mind.
The first lāv
ਜਨੁ ਕਹੈ ਨਾਨਕੁ. ਲਾਵ ਪਹਿਲੀ; ਆਰੰਭੁ ਕਾਜੁ ਰਚਾਇਆ ॥੧॥
janu kahai nānaku. lāv pahilī; ārambhu kāju rachāiā ॥1॥
Servant Nanak proclaims that, in this, the first round of the marriage ceremony, the marriage ceremony has begun. ||1||
The first lāv
The duties of world-engaged life, made firm
ਹਰਿ ਪਹਿਲੜੀ ਲਾਵ; ਪਰਵਿਰਤੀ ਕਰਮ ਦ੍ਰਿੜਾਇਆ, ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari pahilaṛī lāv; parvirtī karam driṛāiā, bali rām jīu ॥
In the first round of the marriage ceremony, the Lord sets out His Instructions for performing the daily duties of married life.
ਬਾਣੀ ਬ੍ਰਹਮਾ ਵੇਦੁ, ਧਰਮੁ ਦ੍ਰਿੜਹੁ; ਪਾਪ ਤਜਾਇਆ, ਬਲਿ ਰਾਮ ਜੀਉ ॥
bāṇī brahmā vedu, dharmu driṛahu; pāp tajāiā, bali rām jīu ॥
Instead of the hymns of the Vedas to Brahma, embrace the righteous conduct of Dharma, and renounce sinful actions.
ਧਰਮੁ ਦ੍ਰਿੜਹੁ. ਹਰਿ ਨਾਮੁ ਧਿਆਵਹੁ; ਸਿਮ੍ਰਿਤਿ ਨਾਮੁ ਦ੍ਰਿੜਾਇਆ ॥
dharmu driṛahu. hari nāmu dhiāvahu; simriti nāmu driṛāiā ॥
Meditate on the Lord's Name; embrace and enshrine the contemplative remembrance of the Naam.
ਸਤਿਗੁਰੁ ਗੁਰੁ ਪੂਰਾ ਆਰਾਧਹੁ; ਸਭਿ ਕਿਲਵਿਖ ਪਾਪ ਗਵਾਇਆ ॥
satguru guru pūrā ārādhahu; sabhi kilvikh pāp gavāiā ॥
Worship and adore the Guru, the Perfect True Guru, and all your sins shall be dispelled.
ਸਹਜ ਅਨੰਦੁ ਹੋਆ ਵਡਭਾਗੀ; ਮਨਿ ਹਰਿ ਹਰਿ ਮੀਠਾ ਲਾਇਆ ॥
sahaj anandu hoā vaḍbhāgī; mani hari hari mīṭhā lāiā ॥
By great good fortune, celestial bliss is attained, and the Lord, Har, Har, seems sweet to the mind.
ਜਨੁ ਕਹੈ ਨਾਨਕੁ. ਲਾਵ ਪਹਿਲੀ; ਆਰੰਭੁ ਕਾਜੁ ਰਚਾਇਆ ॥੧॥
janu kahai nānaku. lāv pahilī; ārambhu kāju rachāiā ॥1॥
Servant Nanak proclaims that, in this, the first round of the marriage ceremony, the marriage ceremony has begun. ||1||
Sūhī · ang 773–774
The second lāv
ਹਰਿ ਦੂਜੜੀ ਲਾਵ; ਸਤਿਗੁਰੁ ਪੁਰਖੁ ਮਿਲਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari dūjaṛī lāv; satguru purkhu milāiā. bali rām jīu ॥
In the second round of the marriage ceremony, the Lord leads you to meet the True Guru, the Primal Being.
The second lāv
ਨਿਰਭਉ. ਭੈ ਮਨੁ ਹੋਇ; ਹਉਮੈ ਮੈਲੁ ਗਵਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
nirabhau. bhai manu hoi; haumai mailu gavāiā. bali rām jīu ॥
With the Fear of God, the Fearless Lord in the mind, the filth of egotism is eradicated.
The second lāv
ਨਿਰਮਲੁ ਭਉ ਪਾਇਆ. ਹਰਿ ਗੁਣ ਗਾਇਆ; ਹਰਿ ਵੇਖੈ ਰਾਮੁ ਹਦੂਰੇ ॥
nirmalu bhau pāiā. hari guṇ gāiā; hari vekhai rāmu hadūre ॥
In the Fear of God, the Immaculate Lord, sing the Glorious Praises of the Lord, and behold the Lord's Presence before you.
The second lāv
ਹਰਿ ਆਤਮ ਰਾਮੁ ਪਸਾਰਿਆ ਸੁਆਮੀ; ਸਰਬ ਰਹਿਆ ਭਰਪੂਰੇ ॥
hari ātam rāmu pasāriā suāmī; sarab rahiā bharpūre ॥
The Lord, the Supreme Soul, is the Lord and Master of the Universe; He is pervading and permeating everywhere, fully filling all spaces.
The second lāv
ਅੰਤਰਿ ਬਾਹਰਿ ਹਰਿ ਪ੍ਰਭੁ ਏਕੋ; ਮਿਲਿ ਹਰਿ ਜਨ ਮੰਗਲ ਗਾਏ ॥
antari bāhari hari prabhu eko; mili hari jan maṅgal gāe ॥
Deep within, and outside as well, there is only the One Lord God. Meeting together, the humble servants of the Lord sing the songs of joy.
The second lāv
ਜਨ ਨਾਨਕ. ਦੂਜੀ ਲਾਵ ਚਲਾਈ; ਅਨਹਦ ਸਬਦ ਵਜਾਏ ॥੨॥
jan nānak. dūjī lāv chalāī; anhad sabad vajāe ॥2॥
Servant Nanak proclaims that, in this, the second round of the marriage ceremony, the unstruck sound current of the Shabad resounds. ||2||
The second lāv
The meeting with the true Guru, and the washing away of ego
ਹਰਿ ਦੂਜੜੀ ਲਾਵ; ਸਤਿਗੁਰੁ ਪੁਰਖੁ ਮਿਲਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari dūjaṛī lāv; satguru purkhu milāiā. bali rām jīu ॥
In the second round of the marriage ceremony, the Lord leads you to meet the True Guru, the Primal Being.
ਨਿਰਭਉ. ਭੈ ਮਨੁ ਹੋਇ; ਹਉਮੈ ਮੈਲੁ ਗਵਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
nirabhau. bhai manu hoi; haumai mailu gavāiā. bali rām jīu ॥
With the Fear of God, the Fearless Lord in the mind, the filth of egotism is eradicated.
ਨਿਰਮਲੁ ਭਉ ਪਾਇਆ. ਹਰਿ ਗੁਣ ਗਾਇਆ; ਹਰਿ ਵੇਖੈ ਰਾਮੁ ਹਦੂਰੇ ॥
nirmalu bhau pāiā. hari guṇ gāiā; hari vekhai rāmu hadūre ॥
In the Fear of God, the Immaculate Lord, sing the Glorious Praises of the Lord, and behold the Lord's Presence before you.
ਹਰਿ ਆਤਮ ਰਾਮੁ ਪਸਾਰਿਆ ਸੁਆਮੀ; ਸਰਬ ਰਹਿਆ ਭਰਪੂਰੇ ॥
hari ātam rāmu pasāriā suāmī; sarab rahiā bharpūre ॥
The Lord, the Supreme Soul, is the Lord and Master of the Universe; He is pervading and permeating everywhere, fully filling all spaces.
ਅੰਤਰਿ ਬਾਹਰਿ ਹਰਿ ਪ੍ਰਭੁ ਏਕੋ; ਮਿਲਿ ਹਰਿ ਜਨ ਮੰਗਲ ਗਾਏ ॥
antari bāhari hari prabhu eko; mili hari jan maṅgal gāe ॥
Deep within, and outside as well, there is only the One Lord God. Meeting together, the humble servants of the Lord sing the songs of joy.
ਜਨ ਨਾਨਕ. ਦੂਜੀ ਲਾਵ ਚਲਾਈ; ਅਨਹਦ ਸਬਦ ਵਜਾਏ ॥੨॥
jan nānak. dūjī lāv chalāī; anhad sabad vajāe ॥2॥
Servant Nanak proclaims that, in this, the second round of the marriage ceremony, the unstruck sound current of the Shabad resounds. ||2||
Sūhī · ang 773–774
The third lāv
ਹਰਿ ਤੀਜੜੀ ਲਾਵ; ਮਨਿ ਚਾਉ ਭਇਆ ਬੈਰਾਗੀਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari tījaṛī lāv; mani chāu bhaiā bairāgīā. bali rām jīu ॥
In the third round of the marriage ceremony, the mind is filled with Divine Love.
The third lāv
ਸੰਤ ਜਨਾ ਹਰਿ ਮੇਲੁ; ਹਰਿ ਪਾਇਆ ਵਡਭਾਗੀਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
sant janā hari melu; hari pāiā vaḍbhāgīā. bali rām jīu ॥
Meeting with the humble Saints of the Lord, I have found the Lord, by great good fortune.
The third lāv
ਨਿਰਮਲੁ ਹਰਿ ਪਾਇਆ. ਹਰਿ ਗੁਣ ਗਾਇਆ; ਮੁਖਿ ਬੋਲੀ ਹਰਿ ਬਾਣੀ ॥
nirmalu hari pāiā. hari guṇ gāiā; mukhi bolī hari bāṇī ॥
I have found the Immaculate Lord, and I sing the Glorious Praises of the Lord. I speak the Word of the Lord's Bani.
The third lāv
ਸੰਤ ਜਨਾ ਵਡਭਾਗੀ ਪਾਇਆ; ਹਰਿ ਕਥੀਐ ਅਕਥ ਕਹਾਣੀ ॥
sant janā vaḍbhāgī pāiā; hari kathīai akath kahāṇī ॥
By great good fortune, I have found the humble Saints, and I speak the Unspoken Speech of the Lord.
The third lāv
ਹਿਰਦੈ ਹਰਿ ਹਰਿ ਹਰਿ ਧੁਨਿ ਉਪਜੀ; ਹਰਿ ਜਪੀਐ ਮਸਤਕਿ ਭਾਗੁ ਜੀਉ ॥
hirdai hari hari hari dhuni upjī; hari japīai mastaki bhāgu jīu ॥
The Name of the Lord, Har, Har, Har, vibrates and resounds within my heart; meditating on the Lord, I have realized the destiny inscribed upon my forehead.
The third lāv
ਜਨੁ ਨਾਨਕੁ ਬੋਲੇ ਤੀਜੀ ਲਾਵੈ; ਹਰਿ ਉਪਜੈ ਮਨਿ ਬੈਰਾਗੁ ਜੀਉ ॥੩॥
janu nānaku bole tījī lāvai; hari upjai mani bairāgu jīu ॥3॥
Servant Nanak proclaims that, in this, the third round of the marriage ceremony, the mind is filled with Divine Love for the Lord. ||3||
The third lāv
Longing rising in the mind
ਹਰਿ ਤੀਜੜੀ ਲਾਵ; ਮਨਿ ਚਾਉ ਭਇਆ ਬੈਰਾਗੀਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari tījaṛī lāv; mani chāu bhaiā bairāgīā. bali rām jīu ॥
In the third round of the marriage ceremony, the mind is filled with Divine Love.
ਸੰਤ ਜਨਾ ਹਰਿ ਮੇਲੁ; ਹਰਿ ਪਾਇਆ ਵਡਭਾਗੀਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
sant janā hari melu; hari pāiā vaḍbhāgīā. bali rām jīu ॥
Meeting with the humble Saints of the Lord, I have found the Lord, by great good fortune.
ਨਿਰਮਲੁ ਹਰਿ ਪਾਇਆ. ਹਰਿ ਗੁਣ ਗਾਇਆ; ਮੁਖਿ ਬੋਲੀ ਹਰਿ ਬਾਣੀ ॥
nirmalu hari pāiā. hari guṇ gāiā; mukhi bolī hari bāṇī ॥
I have found the Immaculate Lord, and I sing the Glorious Praises of the Lord. I speak the Word of the Lord's Bani.
ਸੰਤ ਜਨਾ ਵਡਭਾਗੀ ਪਾਇਆ; ਹਰਿ ਕਥੀਐ ਅਕਥ ਕਹਾਣੀ ॥
sant janā vaḍbhāgī pāiā; hari kathīai akath kahāṇī ॥
By great good fortune, I have found the humble Saints, and I speak the Unspoken Speech of the Lord.
ਹਿਰਦੈ ਹਰਿ ਹਰਿ ਹਰਿ ਧੁਨਿ ਉਪਜੀ; ਹਰਿ ਜਪੀਐ ਮਸਤਕਿ ਭਾਗੁ ਜੀਉ ॥
hirdai hari hari hari dhuni upjī; hari japīai mastaki bhāgu jīu ॥
The Name of the Lord, Har, Har, Har, vibrates and resounds within my heart; meditating on the Lord, I have realized the destiny inscribed upon my forehead.
ਜਨੁ ਨਾਨਕੁ ਬੋਲੇ ਤੀਜੀ ਲਾਵੈ; ਹਰਿ ਉਪਜੈ ਮਨਿ ਬੈਰਾਗੁ ਜੀਉ ॥੩॥
janu nānaku bole tījī lāvai; hari upjai mani bairāgu jīu ॥3॥
Servant Nanak proclaims that, in this, the third round of the marriage ceremony, the mind is filled with Divine Love for the Lord. ||3||
Sūhī · ang 773–774
The fourth lāv
ਹਰਿ ਚਉਥੜੀ ਲਾਵ. ਮਨਿ ਸਹਜੁ ਭਇਆ; ਹਰਿ ਪਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari chauthaṛī lāv. mani sahaju bhaiā; hari pāiā. bali rām jīu ॥
In the fourth round of the marriage ceremony, my mind has become peaceful; I have found the Lord.
The fourth lāv
ਗੁਰਮੁਖਿ ਮਿਲਿਆ ਸੁਭਾਇ; ਹਰਿ ਮਨਿ ਤਨਿ ਮੀਠਾ ਲਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
gurmukhi miliā subhāi; hari mani tani mīṭhā lāiā. bali rām jīu ॥
As Gurmukh, I have met Him, with intuitive ease; the Lord seems so sweet to my mind and body.
The fourth lāv
ਹਰਿ ਮੀਠਾ ਲਾਇਆ. ਮੇਰੇ ਪ੍ਰਭ ਭਾਇਆ; ਅਨਦਿਨੁ ਹਰਿ ਲਿਵ ਲਾਈ ॥
hari mīṭhā lāiā. mere prabh bhāiā; andinu hari liv lāī ॥
The Lord seems so sweet; I am pleasing to my God. Night and day, I lovingly focus my consciousness on the Lord.
The fourth lāv
ਮਨ ਚਿੰਦਿਆ ਫਲੁ ਪਾਇਆ ਸੁਆਮੀ; ਹਰਿ ਨਾਮਿ ਵਜੀ ਵਾਧਾਈ ॥
man chindiā phalu pāiā suāmī; hari nāmi vajī vādhāī ॥
I have obtained my Lord and Master, the fruit of my mind's desires. The Lord's Name resounds and resonates.
The fourth lāv
ਹਰਿ ਪ੍ਰਭਿ ਠਾਕੁਰਿ ਕਾਜੁ ਰਚਾਇਆ; ਧਨ ਹਿਰਦੈ ਨਾਮਿ ਵਿਗਾਸੀ ॥
hari prabhi ṭhākuri kāju rachāiā; dhan hirdai nāmi vigāsī ॥
The Lord God, my Lord and Master, blends with His bride, and her heart blossoms forth in the Naam.
The fourth lāv
ਜਨੁ ਨਾਨਕੁ ਬੋਲੇ ਚਉਥੀ ਲਾਵੈ; ਹਰਿ ਪਾਇਆ ਪ੍ਰਭੁ ਅਵਿਨਾਸੀ ॥੪॥੨॥
janu nānaku bole chauthī lāvai; hari pāiā prabhu avināsī ॥4॥2॥
Servant Nanak proclaims that, in this, the fourth round of the marriage ceremony, we have found the Eternal Lord God. ||4||2||
The fourth lāv
Sahaj — the settled ease of a mind at rest
ਹਰਿ ਚਉਥੜੀ ਲਾਵ. ਮਨਿ ਸਹਜੁ ਭਇਆ; ਹਰਿ ਪਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
hari chauthaṛī lāv. mani sahaju bhaiā; hari pāiā. bali rām jīu ॥
In the fourth round of the marriage ceremony, my mind has become peaceful; I have found the Lord.
ਗੁਰਮੁਖਿ ਮਿਲਿਆ ਸੁਭਾਇ; ਹਰਿ ਮਨਿ ਤਨਿ ਮੀਠਾ ਲਾਇਆ. ਬਲਿ ਰਾਮ ਜੀਉ ॥
gurmukhi miliā subhāi; hari mani tani mīṭhā lāiā. bali rām jīu ॥
As Gurmukh, I have met Him, with intuitive ease; the Lord seems so sweet to my mind and body.
ਹਰਿ ਮੀਠਾ ਲਾਇਆ. ਮੇਰੇ ਪ੍ਰਭ ਭਾਇਆ; ਅਨਦਿਨੁ ਹਰਿ ਲਿਵ ਲਾਈ ॥
hari mīṭhā lāiā. mere prabh bhāiā; andinu hari liv lāī ॥
The Lord seems so sweet; I am pleasing to my God. Night and day, I lovingly focus my consciousness on the Lord.
ਮਨ ਚਿੰਦਿਆ ਫਲੁ ਪਾਇਆ ਸੁਆਮੀ; ਹਰਿ ਨਾਮਿ ਵਜੀ ਵਾਧਾਈ ॥
man chindiā phalu pāiā suāmī; hari nāmi vajī vādhāī ॥
I have obtained my Lord and Master, the fruit of my mind's desires. The Lord's Name resounds and resonates.
ਹਰਿ ਪ੍ਰਭਿ ਠਾਕੁਰਿ ਕਾਜੁ ਰਚਾਇਆ; ਧਨ ਹਿਰਦੈ ਨਾਮਿ ਵਿਗਾਸੀ ॥
hari prabhi ṭhākuri kāju rachāiā; dhan hirdai nāmi vigāsī ॥
The Lord God, my Lord and Master, blends with His bride, and her heart blossoms forth in the Naam.
ਜਨੁ ਨਾਨਕੁ ਬੋਲੇ ਚਉਥੀ ਲਾਵੈ; ਹਰਿ ਪਾਇਆ ਪ੍ਰਭੁ ਅਵਿਨਾਸੀ ॥੪॥੨॥
janu nānaku bole chauthī lāvai; hari pāiā prabhu avināsī ॥4॥2॥
Servant Nanak proclaims that, in this, the fourth round of the marriage ceremony, we have found the Eternal Lord God. ||4||2||
Sūhī · ang 773–774
What happens next
The first five stanzas and the last are sung or recited near the close.
The ceremony takes its name from this composition.
Anand Sāhib
Pauṛī 1 of forty
It is about the bliss of union with the divine, and its presence closes the loop the lāvāṅ opened.
ਅਨੰਦੁ ਭਇਆ ਮੇਰੀ ਮਾਏ; ਸਤਿਗੁਰੂ. ਮੈ ਪਾਇਆ ॥
anandu bhaiā merī māe; satgurū. mai pāiā ॥
I am in ecstasy, O my mother, for I have found my True Guru.
ਸਤਿਗੁਰੁ. ਤ ਪਾਇਆ ਸਹਜ ਸੇਤੀ; ਮਨਿ ਵਜੀਆ ਵਾਧਾਈਆ ॥
satguru. ta pāiā sahaj setī; mani vajīā vādhāīā ॥
I have found the True Guru, with intuitive ease, and my mind vibrates with the music of bliss.
ਰਾਗ ਰਤਨ ਪਰਵਾਰ ਪਰੀਆ; ਸਬਦ ਗਾਵਣ ਆਈਆ ॥
rāg ratan parvār parīā; sabad gāvaṇ āīā ॥
The jewelled melodies and their related celestial harmonies have come to sing the Word of the Shabad.
ਸਬਦੋ ਤ ਗਾਵਹੁ ਹਰੀ ਕੇਰਾ; ਮਨਿ ਜਿਨੀ ਵਸਾਇਆ ॥
sabado ta gāvahu harī kerā; mani jinī vasāiā ॥
The Lord dwells within the minds of those who sing the Shabad.
ਕਹੈ ਨਾਨਕੁ. ਅਨੰਦੁ ਹੋਆ; ਸਤਿਗੁਰੂ ਮੈ ਪਾਇਆ ॥੧॥
kahai nānaku. anandu hoā; satgurū mai pāiā ॥1॥
Says Nanak, I am in ecstasy, for I have found my True Guru. ||1||
Rāmkalī · ang 917–922
Pauṛī 2 of forty
ਏ ਮਨ ਮੇਰਿਆ; ਤੂ ਸਦਾ ਰਹੁ ਹਰਿ ਨਾਲੇ ॥
e man meriā; tū sadā rahu hari nāle ॥
O my mind, remain always with the Lord.
ਹਰਿ ਨਾਲਿ ਰਹੁ ਤੂ ਮੰਨ ਮੇਰੇ; ਦੂਖ ਸਭਿ ਵਿਸਾਰਣਾ ॥
hari nāli rahu tū mann mere; dūkh sabhi visārṇā ॥
Remain always with the Lord, O my mind, and all sufferings will be forgotten.
ਅੰਗੀਕਾਰੁ ਓਹੁ ਕਰੇ ਤੇਰਾ; ਕਾਰਜ ਸਭਿ ਸਵਾਰਣਾ ॥
angīkāru ohu kare terā; kāraj sabhi savārṇā ॥
He will accept You as His own, and all your affairs will be perfectly arranged.
ਸਭਨਾ ਗਲਾ ਸਮਰਥੁ ਸੁਆਮੀ; ਸੋ. ਕਿਉ ਮਨਹੁ ਵਿਸਾਰੇ ॥
sabhnā galā samrathu suāmī; so. kiu manahu visāre ॥
Our Lord and Master is all-powerful to do all things, so why forget Him from your mind?
ਕਹੈ ਨਾਨਕੁ. ਮੰਨ ਮੇਰੇ; ਸਦਾ ਰਹੁ ਹਰਿ ਨਾਲੇ ॥੨॥
kahai nānaku. mann mere; sadā rahu hari nāle ॥2॥
Says Nanak, O my mind, remain always with the Lord. ||2||
Rāmkalī · ang 917–922
Pauṛī 3 of forty
ਸਾਚੇ ਸਾਹਿਬਾ; ਕਿਆ ਨਾਹੀ. ਘਰਿ ਤੇਰੈ ॥
sāche sāhibā; kiā nāhī. ghari terai ॥
O my True Lord and Master, what is there which is not in Your celestial home?
ਘਰਿ ਤ ਤੇਰੈ. ਸਭੁ ਕਿਛੁ ਹੈ; ਜਿਸੁ ਦੇਹਿ ਸੁ ਪਾਵਏ ॥
ghari ta terai. sabhu kichhu hai; jisu dehi su pāvae ॥
Everything is in Your home; they receive, unto whom You give.
ਸਦਾ ਸਿਫਤਿ ਸਲਾਹ ਤੇਰੀ; ਨਾਮੁ ਮਨਿ ਵਸਾਵਏ ॥
sadā siphati salāh terī; nāmu mani vasāvae ॥
Constantly singing Your Praises and Glories, Your Name is enshrined in the mind.
ਨਾਮੁ ਜਿਨ ਕੈ ਮਨਿ ਵਸਿਆ; ਵਾਜੇ ਸਬਦ ਘਨੇਰੇ ॥
nāmu jin kai mani vasiā; vāje sabad ghanere ॥
The divine melody of the Shabad vibrates for those, within whose minds the Naam abides.
ਕਹੈ ਨਾਨਕੁ. ਸਚੇ ਸਾਹਿਬ; ਕਿਆ ਨਾਹੀ. ਘਰਿ ਤੇਰੈ ॥੩॥
kahai nānaku. sache sāhib; kiā nāhī. ghari terai ॥3॥
Says Nanak, O my True Lord and Master, what is there which is not in Your home? ||3||
Rāmkalī · ang 917–922
Pauṛī 4 of forty
ਸਾਚਾ ਨਾਮੁ; ਮੇਰਾ ਆਧਾਰੋ ॥
sāchā nāmu; merā ādhāro ॥
The True Name is my only support.
ਸਾਚੁ ਨਾਮੁ ਅਧਾਰੁ ਮੇਰਾ; ਜਿਨਿ ਭੁਖਾ ਸਭਿ ਗਵਾਈਆ ॥
sāchu nāmu adhāru merā; jini bhukhā sabhi gavāīā ॥
The True Name is my only support; it satisfies all hunger.
ਕਰਿ ਸਾਂਤਿ ਸੁਖ ਮਨਿ ਆਇ ਵਸਿਆ; ਜਿਨਿ ਇਛਾ ਸਭਿ ਪੁਜਾਈਆ ॥
kari sānti sukh mani āi vasiā; jini ichhā sabhi pujāīā ॥
It has brought peace and tranquility to my mind; it has fulfilled all my desires.
ਸਦਾ ਕੁਰਬਾਣੁ ਕੀਤਾ ਗੁਰੂ ਵਿਟਹੁ; ਜਿਸ ਦੀਆ ਏਹਿ ਵਡਿਆਈਆ ॥
sadā kurbāṇu kītā gurū viṭahu; jis dīā ehi vaḍiāīā ॥
I am forever a sacrifice to the Guru, who possesses such glorious greatness.
ਕਹੈ ਨਾਨਕੁ. ਸੁਣਹੁ ਸੰਤਹੁ; ਸਬਦਿ ਧਰਹੁ ਪਿਆਰੋ ॥
kahai nānaku. suṇahu santahu; sabadi dharahu piāro ॥
Says Nanak, listen, O Saints; enshrine love for the Shabad.
ਸਾਚਾ ਨਾਮੁ; ਮੇਰਾ ਆਧਾਰੋ ॥੪॥
sāchā nāmu; merā ādhāro ॥4॥
The True Name is my only support. ||4||
Rāmkalī · ang 917–922
Pauṛī 5 of forty
ਵਾਜੇ ਪੰਚ ਸਬਦ; ਤਿਤੁ ਘਰਿ ਸਭਾਗੈ ॥
vāje panch sabad; titu ghari sabhāgai ॥
The Panch Shabad, the five primal sounds, vibrate in that blessed house.
ਘਰਿ ਸਭਾਗੈ ਸਬਦ ਵਾਜੇ; ਕਲਾ ਜਿਤੁ ਘਰਿ ਧਾਰੀਆ ॥
ghari sabhāgai sabad vāje; kalā jitu ghari dhārīā ॥
In that blessed house, the Shabad vibrates; He infuses His almighty power into it.
ਪੰਚ ਦੂਤ ਤੁਧੁ ਵਸਿ ਕੀਤੇ; ਕਾਲੁ ਕੰਟਕੁ ਮਾਰਿਆ ॥
panch dūt tudhu vasi kīte; kālu kaṇṭku māriā ॥
Through You, we subdue the five demons of desire, and slay Death, the torturer.
ਧੁਰਿ ਕਰਮਿ ਪਾਇਆ ਤੁਧੁ. ਜਿਨ ਕਉ; ਸਿ. ਨਾਮਿ ਹਰਿ ਕੈ ਲਾਗੇ ॥
dhuri karmi pāiā tudhu. jin kau; si. nāmi hari kai lāge ॥
Those who have such pre-ordained destiny are attached to the Lord's Name.
ਕਹੈ ਨਾਨਕੁ. ਤਹ ਸੁਖੁ ਹੋਆ; ਤਿਤੁ ਘਰਿ ਅਨਹਦ ਵਾਜੇ ॥੫॥
kahai nānaku. tah sukhu hoā; titu ghari anhad vāje ॥5॥
Says Nanak, they are at peace, and the unstruck sound current vibrates within their homes. ||5||
Rāmkalī · ang 917–922
Pauṛī 40 of forty
ਅਨਦੁ ਸੁਣਹੁ ਵਡਭਾਗੀਹੋ; ਸਗਲ ਮਨੋਰਥ ਪੂਰੇ ॥
anad suṇahu vaḍbhāgīho; sagal manorath pūre ॥
Listen to the song of bliss, O most fortunate ones; all your longings shall be fulfilled.
ਪਾਰਬ੍ਰਹਮੁ ਪ੍ਰਭੁ ਪਾਇਆ; ਉਤਰੇ ਸਗਲ ਵਿਸੂਰੇ ॥
pārbrahmu prabhu pāiā; utre sagal visūre ॥
I have obtained the Supreme Lord God, and all sorrows have been forgotten.
ਦੂਖ ਰੋਗ ਸੰਤਾਪ ਉਤਰੇ; ਸੁਣੀ ਸਚੀ ਬਾਣੀ ॥
dūkh rog santāp utre; suṇī sachī bāṇī ॥
Pain, illness and suffering have departed, listening to the True Bani.
ਸੰਤ ਸਾਜਨ ਭਏ ਸਰਸੇ; ਪੂਰੇ ਗੁਰ ਤੇ ਜਾਣੀ ॥
sant sājan bhae sarse; pūre gur te jāṇī ॥
The Saints and their friends are in ecstasy, knowing the Perfect Guru.
ਸੁਣਤੇ ਪੁਨੀਤ. ਕਹਤੇ ਪਵਿਤੁ; ਸਤਿਗੁਰੁ ਰਹਿਆ ਭਰਪੂਰੇ ॥
suṇte punīt. kahte pavitu; satguru rahiā bharpūre ॥
Pure are the listeners, and pure are the speakers; the True Guru is all-pervading and permeating.
ਬਿਨਵੰਤਿ ਨਾਨਕੁ. ਗੁਰ ਚਰਣ ਲਾਗੇ; ਵਾਜੇ ਅਨਹਦ ਤੂਰੇ ॥੪੦॥੧॥
binvanti nānaku. gur charaṇ lāge; vāje anhad tūre ॥40॥1॥
Prays Nanak, touching the Guru's Feet, the unstruck sound current of the celestial bugles vibrates and resounds. ||40||1||
Rāmkalī · ang 917–922
What happens next
A closing ardās, a hukamnāmā — the verse read at random from the scripture, taken as the day's instruction — and kaṛāh prashād, distributed to everyone present from the same bowl into cupped hands.
Two shabads are conventionally sung at the close.
Closing shabads
At the close — Vīāhu Hoā Mere Bābulā
ਵੀਆਹੁ ਹੋਆ ਮੇਰੇ ਬਾਬੁਲਾ; ਗੁਰਮੁਖੇ ਹਰਿ ਪਾਇਆ ॥
vīāhu hoā mere bābulā; gurmukhe hari pāiā ॥
My marriage has been performed, O my father. As Gurmukh, I have found the Lord.
At the close — Vīāhu Hoā Mere Bābulā
ਅਗਿਆਨੁ ਅੰਧੇਰਾ ਕਟਿਆ; ਗੁਰ ਗਿਆਨੁ ਪ੍ਰਚੰਡੁ ਬਲਾਇਆ ॥
agiānu andherā kaṭiā; gur giānu prachaṇḍu balāiā ॥
The darkness of ignorance has been dispelled. The Guru has revealed the blazing light of spiritual wisdom.
At the close — Vīāhu Hoā Mere Bābulā
ਬਲਿਆ ਗੁਰ ਗਿਆਨੁ. ਅੰਧੇਰਾ ਬਿਨਸਿਆ; ਹਰਿ ਰਤਨੁ ਪਦਾਰਥੁ ਲਾਧਾ ॥
baliā gur giānu. andherā binasiā; hari ratanu padārthu lādhā ॥
This spiritual wisdom given by the Guru shines forth, and the darkness has been dispelled. I have found the Priceless Jewel of the Lord.
At the close — Vīāhu Hoā Mere Bābulā
ਹਉਮੈ ਰੋਗੁ ਗਇਆ. ਦੁਖੁ ਲਾਥਾ; ਆਪੁ ਆਪੈ. ਗੁਰਮਤਿ ਖਾਧਾ ॥
haumai rogu gaiā. dukhu lāthā; āpu āpai. gurmati khādhā ॥
The sickness of my ego has been dispelled, and my pain is over and done. Through the Guru's Teachings, my identity has consumed my identical identity.
At the close — Vīāhu Hoā Mere Bābulā
ਅਕਾਲ ਮੂਰਤਿ. ਵਰੁ ਪਾਇਆ ਅਬਿਨਾਸੀ; ਨਾ ਕਦੇ ਮਰੈ. ਨ ਜਾਇਆ ॥
akāl mūrati. varu pāiā abināsī; nā kade marai. na jāiā ॥
I have obtained my Husband Lord, the Akaal Moorat, the Undying Form. He is Imperishable; He shall never die, and He shall never ever leave.
At the close — Vīāhu Hoā Mere Bābulā
ਵੀਆਹੁ ਹੋਆ ਮੇਰੇ ਬਾਬੋਲਾ; ਗੁਰਮੁਖੇ ਹਰਿ ਪਾਇਆ ॥੨॥
vīāhu hoā mere bābolā; gurmukhe hari pāiā ॥2॥
My marriage has been performed, O my father. As Gurmukh, I have found the Lord. ||2||
At the close — Vīāhu Hoā Mere Bābulā
It is in the voice of a bride addressing her father
ਵੀਆਹੁ ਹੋਆ ਮੇਰੇ ਬਾਬੁਲਾ; ਗੁਰਮੁਖੇ ਹਰਿ ਪਾਇਆ ॥
vīāhu hoā mere bābulā; gurmukhe hari pāiā ॥
My marriage has been performed, O my father. As Gurmukh, I have found the Lord.
ਅਗਿਆਨੁ ਅੰਧੇਰਾ ਕਟਿਆ; ਗੁਰ ਗਿਆਨੁ ਪ੍ਰਚੰਡੁ ਬਲਾਇਆ ॥
agiānu andherā kaṭiā; gur giānu prachaṇḍu balāiā ॥
The darkness of ignorance has been dispelled. The Guru has revealed the blazing light of spiritual wisdom.
ਬਲਿਆ ਗੁਰ ਗਿਆਨੁ. ਅੰਧੇਰਾ ਬਿਨਸਿਆ; ਹਰਿ ਰਤਨੁ ਪਦਾਰਥੁ ਲਾਧਾ ॥
baliā gur giānu. andherā binasiā; hari ratanu padārthu lādhā ॥
This spiritual wisdom given by the Guru shines forth, and the darkness has been dispelled. I have found the Priceless Jewel of the Lord.
ਹਉਮੈ ਰੋਗੁ ਗਇਆ. ਦੁਖੁ ਲਾਥਾ; ਆਪੁ ਆਪੈ. ਗੁਰਮਤਿ ਖਾਧਾ ॥
haumai rogu gaiā. dukhu lāthā; āpu āpai. gurmati khādhā ॥
The sickness of my ego has been dispelled, and my pain is over and done. Through the Guru's Teachings, my identity has consumed my identical identity.
ਅਕਾਲ ਮੂਰਤਿ. ਵਰੁ ਪਾਇਆ ਅਬਿਨਾਸੀ; ਨਾ ਕਦੇ ਮਰੈ. ਨ ਜਾਇਆ ॥
akāl mūrati. varu pāiā abināsī; nā kade marai. na jāiā ॥
I have obtained my Husband Lord, the Akaal Moorat, the Undying Form. He is Imperishable; He shall never die, and He shall never ever leave.
ਵੀਆਹੁ ਹੋਆ ਮੇਰੇ ਬਾਬੋਲਾ; ਗੁਰਮੁਖੇ ਹਰਿ ਪਾਇਆ ॥੨॥
vīāhu hoā mere bābolā; gurmukhe hari pāiā ॥2॥
My marriage has been performed, O my father. As Gurmukh, I have found the Lord. ||2||
Sirīrāg · ang 78
At the close — Pūrī Āsā Jī Mansā
ਪੂਰੀ ਆਸਾ ਜੀ; ਮਨਸਾ ਮੇਰੇ ਰਾਮ ॥
pūrī āsā jī; manasā mere rām ॥
My hopes and desires have been fulfilled, O my Lord.
At the close — Pūrī Āsā Jī Mansā
ਮੋਹਿ ਨਿਰਗੁਣ ਜੀਉ; ਸਭਿ ਗੁਣ ਤੇਰੇ ਰਾਮ ॥
mohi nirguṇ jīu; sabhi guṇ tere rām ॥
I am worthless, without virtue; all virtues are Yours, O Lord.
At the close — Pūrī Āsā Jī Mansā
ਸਭਿ ਗੁਣ ਤੇਰੇ. ਠਾਕੁਰ ਮੇਰੇ; ਕਿਤੁ ਮੁਖਿ ਤੁਧੁ ਸਾਲਾਹੀ ॥
sabhi guṇ tere. ṭhākur mere; kitu mukhi tudhu sālāhī ॥
All virtues are Yours, O my Lord and Master; with what mouth should I praise You?
At the close — Pūrī Āsā Jī Mansā
ਗੁਣੁ ਅਵਗੁਣੁ ਮੇਰਾ. ਕਿਛੁ ਨ ਬੀਚਾਰਿਆ; ਬਖਸਿ ਲੀਆ ਖਿਨ ਮਾਹੀ ॥
guṇu avguṇu merā. kichhu na bīchāriā; bakhasi līā khin māhī ॥
You did not consider my merits and demerits; you forgave me in an instant.
At the close — Pūrī Āsā Jī Mansā
ਨਉ ਨਿਧਿ ਪਾਈ ਵਜੀ ਵਾਧਾਈ; ਵਾਜੇ ਅਨਹਦ ਤੂਰੇ ॥
nau nidhi pāī vajī vādhāī; vāje anhad tūre ॥
I have obtained the nine treasures, congratulations are pouring in, and the unstruck melody resounds.
At the close — Pūrī Āsā Jī Mansā
ਕਹੁ ਨਾਨਕ. ਮੈ ਵਰੁ ਘਰਿ ਪਾਇਆ; ਮੇਰੇ ਲਾਥੇ ਜੀ ਸਗਲ ਵਿਸੂਰੇ ॥੪॥੧॥
kahu nānak. mai varu ghari pāiā; mere lāthe jī sagal visūre ॥4॥1॥
Says Nanak, I have found my Husband Lord within my own home, and all my anxiety is forgotten. ||4||1||
At the close — Pūrī Āsā Jī Mansā
Hope and longing, both fulfilled
ਪੂਰੀ ਆਸਾ ਜੀ; ਮਨਸਾ ਮੇਰੇ ਰਾਮ ॥
pūrī āsā jī; manasā mere rām ॥
My hopes and desires have been fulfilled, O my Lord.
ਮੋਹਿ ਨਿਰਗੁਣ ਜੀਉ; ਸਭਿ ਗੁਣ ਤੇਰੇ ਰਾਮ ॥
mohi nirguṇ jīu; sabhi guṇ tere rām ॥
I am worthless, without virtue; all virtues are Yours, O Lord.
ਸਭਿ ਗੁਣ ਤੇਰੇ. ਠਾਕੁਰ ਮੇਰੇ; ਕਿਤੁ ਮੁਖਿ ਤੁਧੁ ਸਾਲਾਹੀ ॥
sabhi guṇ tere. ṭhākur mere; kitu mukhi tudhu sālāhī ॥
All virtues are Yours, O my Lord and Master; with what mouth should I praise You?
ਗੁਣੁ ਅਵਗੁਣੁ ਮੇਰਾ. ਕਿਛੁ ਨ ਬੀਚਾਰਿਆ; ਬਖਸਿ ਲੀਆ ਖਿਨ ਮਾਹੀ ॥
guṇu avguṇu merā. kichhu na bīchāriā; bakhasi līā khin māhī ॥
You did not consider my merits and demerits; you forgave me in an instant.
ਨਉ ਨਿਧਿ ਪਾਈ ਵਜੀ ਵਾਧਾਈ; ਵਾਜੇ ਅਨਹਦ ਤੂਰੇ ॥
nau nidhi pāī vajī vādhāī; vāje anhad tūre ॥
I have obtained the nine treasures, congratulations are pouring in, and the unstruck melody resounds.
ਕਹੁ ਨਾਨਕ. ਮੈ ਵਰੁ ਘਰਿ ਪਾਇਆ; ਮੇਰੇ ਲਾਥੇ ਜੀ ਸਗਲ ਵਿਸੂਰੇ ॥੪॥੧॥
kahu nānak. mai varu ghari pāiā; mere lāthe jī sagal visūre ॥4॥1॥
Says Nanak, I have found my Husband Lord within my own home, and all my anxiety is forgotten. ||4||1||
Vaḍhans · ang 576–577
What happens next
Then langar, which is not part of the ceremony and is never missing from it.
English translation: Dr. Sant Singh Khalsa, Khalsa Consensus Translation.
Gurmukhi text of the Guru Granth Sahib: public domain, extracted from the Shabad OS corpus and checksummed line by line.
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The history — and it is shorter than people assume
What the tradition holds. Guru Amar Das composed Anand Sāhib; his successor Guru Ram Das composed the lāvāṅ; the Anand marriage form has been observed since the early days of Sikhism, and the marriage of Guru Arjan to Mata Ganga is often named as the first solemnised by it.
Religious traditionEstablished (the authorship only)
The authorship of both compositions is established and not in doubt — it is recorded in the scripture. The claim of continuous observance from the sixteenth century is where the difficulty starts. The date of Guru Arjan's marriage is given variously as 1579 and 1589 in circulating accounts; this page asserts neither, and the claim that theirs was the first Anand Karaj is religious tradition in any case rather than established history.
What historians say. The dominant scholarly account is that for most of Sikh history most Sikhs married by Brahmanical rites — a Brahmin officiant, a sacred fire, and circumambulation of the fire. The Anand rite as a distinct Sikh marriage liturgy, with the lāvāṅ read and sung and the couple circling the Guru Granth Sahib rather than a fire, is a nineteenth-century formalisation. It is associated first with the Nirankaris under Baba Dayal (1783–1855) and his successor Baba Darbara Singh, and was then carried into the mainstream by the Singh Sabha movement from 1873.
Established (scholarly majority)Contested against the traditional account
The two accounts are closer than they look, and the distinction matters.
The texts are sixteenth-century. Nobody disputes that; the lāvāṅ are Guru Ram Das's and they are in the Guru Granth Sahib with his authorship marked. The liturgy — this text, in this order, with this choreography, as the normative and legally recognised Sikh marriage — is nineteenth-century. That is what the reform movements built.
“The ceremony was formalised in the nineteenth century” is not the same claim as “the ceremony was invented in the nineteenth century,” and a reader will hear the second if the first is put carelessly. Much of the disagreement between the traditional and scholarly accounts is a disagreement about what the word began means.
A live sub-dispute, worth one sentence: some Sikhs object to the circumambulation itself, on the grounds that circling anything at all is borrowed from the older rite and therefore un-Sikh. It is a minority position and it is sincerely held. Contested
A timeline
c. 1550s–1570s
Anand Sāhib composed
Guru Amar Das composes Anand Sāhib, in Rāg Rāmkalī, forty stanzas. Established
1574–1581
The lāvāṅ composed
Guru Ram Das composes the four lāvāṅ, in Rāg Sūhī. Established
1604
The Adi Granth is compiled
Compiled and installed at Harmandir Sahib. Both compositions are in it — which is why, three centuries later, there is a book to walk around. The Adi Granth → Established
16th–19th c.
Most Sikh marriages are solemnised by Brahmanical rites
A Brahmin officiant, a sacred fire, circumambulation of the fire. Established (scholarly majority)
c. 1840s–1855
The Nirankari reform
Under Baba Dayal, a simple and inexpensive marriage rite centred on the Adi Granth. Established
1855 onwards
Baba Darbara Singh spreads the reformed ceremonies
From Rawalpindi — which is to say, from what is now Pakistan. Established
1873
The Singh Sabha is founded
The Anand form becomes a cardinal point of Sikh reform. The Khalsa → Established
22 October 1909
The Anand Marriage Act, 1909
Act VII of 1909, Imperial Legislative Council. The law → Established
1947
Partition
Rawalpindi — the Nirankari heartland where the reformed rite took shape — is in Pakistan. Partition → Established
7 June 2012
The Anand Marriage (Amendment) Act, 2012
Act 29 of 2012 receives presidential assent in India. Established
March 2018
The Punjab Sikh Anand Karaj Marriage Act 2018
Passed by the Provincial Assembly of the Punjab, Pakistan, on 14 March; assented 19 March. Established
2025
The Supreme Court of India intervenes
States and Union Territories are directed to frame the registration rules the 2012 amendment had asked for. Established
Two Punjabs, two statutes
The Anand Marriage Act was passed in 1909 for the whole of British India. In 1947 the province it was written for was cut in two, and the Act went with both halves. India amended it in 2012 to give Sikh marriages a register of their own. Pakistan's Punjab repealed it in 2018 and replaced it with a statute that defines the ceremony, names the four lāvāṅ in law, and licenses registrars to record it.
One ceremony, one starting point, two legislatures, two roads. This is the sort of thing that is only visible if you look at both Punjabs at once.
The Anand Marriage Act, 1909 — British India
Act VII of 1909, enacted by the Imperial Legislative Council on 22 October 1909. Its long title states its purpose exactly: to remove doubts as to the validity of the marriage ceremony common among the Sikhs called Anand. Four sections; no registration provision; no definition of the ceremony.
Why it was needed is the interesting part. Colonial courts had begun to doubt whether a marriage solemnised by the Anand rite — no fire, no Brahmin, no circumambulation of a fire — was a valid marriage at all. The Act does not create the ceremony. It defends one that reformers had recently established, against a legal system that did not recognise it.
It was a product of the Singh Sabha. The bill was introduced in the Imperial Legislative Council by Tikka Ripudaman Singh of Nabha; Sardar Sunder Singh Majithia is credited with steering it through; and Bhai Kahn Singh Nabha supplied much of the doctrinal groundwork that made the case for a distinct Sikh rite arguable at all. Accounts differ in emphasis on who did what. This page names all three and ranks none.
Established
Confidence: high on the Act, its number and its date; medium on the precise division of labour between the three men, where the scholarly accounts genuinely differ.
Its long weakness was that it had no registration machinery. In practice Sikh marriages in independent India were registered under the Hindu Marriage Act, 1955, which subsumes Sikhs, Jains and Buddhists within its definition of “Hindu.” A Sikh couple's certificate said Hindu. For diaspora Sikhs establishing marital status abroad this was a practical and an identity grievance for decades.
The Anand Marriage (Amendment) Act, 2012 — India
Act 29 of 2012, presidential assent 7 June 2012. It inserts a new section 6 requiring state governments to make rules for the registration of Anand Karaj marriages, providing for a marriage register maintained by a state-appointed officer, certified extracts as proof, and — the operative relief — that a couple registered under this Act need not register under any other law in force.
Two corrections, because press coverage routinely gets both wrong. Registration under the amended Act is not compulsory, and non-registration does not affect the validity of the marriage; widely-read summaries calling it “compulsory registration” are simply wrong. And the amendment did not “legalise” Anand Karaj. It was already legal — that is what 1909 did. The amendment gave it a register.
It then stalled. Rule-making was left to the states and Union Territories and many never notified rules, so the register the amendment promised did not exist in most of the country. In 2025 the Supreme Court of India, in proceedings brought by advocate Amanjot Singh Chadha, directed states and Union Territories to frame and notify rules within a fixed period, ordered that in the meantime registering authorities must accept Anand Karaj applications under existing frameworks rather than refusing them for want of rules, and required the Union to circulate model rules and report back on compliance. Rules have since been notified in further states, past the deadline the Court set. Compliance was still arriving piecemeal when this page was last checked.
Established
Confidence: high on the Act and the fact of the 2025 direction; medium on the current state of compliance, which is a live administrative matter that will keep moving. The date this was last checked is recorded in the sources drawer. This page does not list which states have complied, because that list is out of date the week it is written.
The Punjab Sikh Anand Karaj Marriage Act 2018 — Pakistan
Passed by the Provincial Assembly of the Punjab on 14 March 2018 and assented on 19 March, as a private member's bill moved by Sardar Ramesh Singh Arora, then the only Sikh member of the Assembly. It was reported at the time as the first law anywhere in the world dedicated specifically to the registration of Sikh marriages.
What it does is more than the Indian statute:
- It defines the ceremony in law. Anand Karaj is defined as the lawful union of a Sikh male and a Sikh female solemnised in accordance with Sikh religious practice, “where the four laavaan… are recited.” A statute that names the lāvāṅ.
- It defines granthī in law — a Sikh who recites the Guru Granth Sahib and solemnises a marriage between Sikhs.
- It defines Sikh and Sikh religion — belief in Akalpurakh, the ten Gurus from Guru Nanak to Guru Gobind Singh, and acceptance of the Guru Granth Sahib as the eternal living Guru.
- Minimum age eighteen for both parties, and free and full consent.
- Registration with a licensed Anand Karaj Registrar, within thirty days, with a copy to the Union Council; an Anand Karaj Certificate is issued.
- It repealed the Anand Marriage Act, 1909 in its application to the Province of the Punjab.
Implementation lagged. The Assembly's term ended in May 2018 and the machinery — rules, licensed registrars, a reconciliation council — was not put in place at the time. Two sets of rules were approved by the provincial cabinet in June 2024, taken forward under Arora, by then the province's Minister for Minorities Affairs. Whether registrars have since been licensed and marriages actually registered under the Act could not be established from the sources available when this page was last checked, and the page does not assert either way.
Established
Confidence: high on the Act, its passage and its contents; high that rules were approved in June 2024; low on operational status, which is a genuine gap in the available reporting rather than a finding that the Act is inoperative.
The point, made quietly. The 1909 Act was passed for the whole of British India. In 2018 one half of the partitioned province repealed it and replaced it; the other half amended it. Two Punjabs, two legislatures, the same ceremony, the same starting point, two different roads out of it — and it is the Pakistani statute that writes the four lāvāṅ into law.
Variation, and the live debates
What follows is disputed among Sikhs, sometimes sharply. The positions below are set out as their holders would set them out. This page does not adjudicate between them and does not think it is its place to.
The Punjabi word for a code of conduct is , and one frame applies to all of what follows: a written position is evidence of two things at once — what a community has decided, and that the thing it prohibits is happening. The gap between what Sikh institutions have stated and what goes on in the room is not hypocrisy. It is the ordinary condition of every religious community everywhere, and treating it as scandal would be both unkind and unscholarly.
May an Anand Karaj join a Sikh and a non-Sikh?
The written position. Sikh codes of conduct state that persons professing faiths other than the Sikh faith cannot be joined in wedlock by the Anand Karaj ceremony.
The directive. A of 16 August 2007 from Sri Akal Takht Sahib restated this, and added that a partner not of Sikh origin must adopt the Sikh faith, including carrying Singh or Kaur on identity documents, before the ceremony. It also governs where a — a physical volume of the Guru Granth Sahib — may be carried, which is why a ceremony needs a room that can house one properly.
In the diaspora it became a conflict rather than a debate. The Sikh Council UK approved Guidelines of Approach to Inter-Faith Marriages in Gurdwaras on 11 October 2014 to bring British gurdwaras to a consistent position. In August 2015 a resolution of more than 180 British gurdwaras affirmed that Anand Karaj should be conducted only between Sikhs. Protesters disrupted ceremonies at several gurdwaras; in September 2016, 55 men were arrested after a protest at a gurdwara in Leamington Spa, an incident that drew armed police and was widely reported. Two men later prosecuted were acquitted.
A correction worth making, because the error is everywhere. Many accounts cite a “2014 Akal Takht directive” on inter-faith marriage. This project could find no such document. What exists is the Akal Takht sandesh of 16 August 2007 and the Sikh Council UK guidelines of October 2014 — the latter a diaspora organisation's own guidance, which grounds itself explicitly in the 2007 sandesh rather than in any 2014 order. The two appear to have been merged in retelling. This page cites both separately and merges neither.
The positions, fairly stated. Those who hold the line argue that the lāvāṅ are a specifically Sikh spiritual instrument, that a ceremony conducted for someone who does not accept the Guru is not that ceremony, and that civil marriage exists and is not disparaged. Those who object argue that Sikh teaching on caste and lineage is explicitly universalist, that gurdwaras welcome all, that a requirement to change a name on a passport tests paperwork rather than faith, and that the rule falls hardest on couples raised in the diaspora. Both of these are arguments made in good faith by Sikhs. This page states them and stops.
Contested
Punjabia takes no position. Confidence: high on the 2007 sandesh, on the 2014 guidelines and on the sequence of events in Britain; the framing of those events is itself contested, so the page reports the sequence rather than characterising the participants.
Gurdwara to gurdwara, and across the diaspora
The language of the address is increasingly English, or bilingual, in Britain, Canada and the United States. Some gurdwaras provide a printed English order of service; some project translations on a screen.
Length runs from about forty minutes to well over two hours, depending almost entirely on the address and the amount of . The proportion given to music varies widely — some gurdwaras engage professional rāgī jathās, others rely on the to sing.
Timing. Sikh codes of conduct explicitly forbid consulting horoscopes to find an auspicious day. The practice persists in some families.
And everything around it. The , the mehndi nights, the jāgo, the chūṛā, the doli — the cultural day that surrounds the ceremony is largely shared across Punjabi communities regardless of religion, and Sikh codes of conduct take a firm line against a long list of it. That day has its own page and is not duplicated here.
Common practice
The words on this page
Sikh liturgical vocabulary is heavily Sanskritic, and this list is honest about that. But notice what sits at the centre of it: , the formal Sikh prayer, is Persian — ʿarz-dāsht, a petition to a superior. is Arabic and Persian welded together. is Persian. , the seat of Sikh temporal authority, is the Persian word for a throne.
The vocabulary of Sikh worship is itself Punjabi in the full sense, drawing on both of the language's inheritances. That sentence is worth more than a balanced word count would be.
Tap any underlined word on this page for its full entry, or open the word archive.
A note on script. This page is in Gurmukhi only, and that is a decision rather than an omission. Punjabia normally sets every Punjabi word in both Gurmukhi and Shahmukhi, because Punjabi is written in both and the site exists partly to keep that true. But there is no authoritative Shahmukhi text of the Guru Granth Sahib to draw on. Rendering scripture into Shahmukhi would be an act of authorship, not a conversion, and this project is not the right body to perform it. Rather than do it for the surrounding vocabulary and not for the verse, the whole page stays in one script and says why. The wedding pages and the folk-song forms carry both scripts as usual.
Keep going
The same wedding, in a different register. In the days before an Anand Karaj the bride's side is singing suhāg and the groom's side ghoṛīāṅ — anonymous folk songs, unfixed, sung by women in courtyards, about leaving home and about setting out. Days later the same families sit in a gurdwara while four stanzas of scripture are read and sung. Folk song and Gurbani, the courtyard and the darbar hall, in one week, for one wedding. Neither is the background to the other. Punjabi culture holds both, and understanding the wedding means hearing them together — which is why music and custom are not separate subjects on this site.
Doors out
The Punjabi Wedding The Adi Granth Guru Nanak at Kartarpur The founding of the Khalsa The wedding songs The word archive
The Nikah forthcoming The Hindu vivāh forthcoming
Where this comes from
The order of service describes what is commonly done at an Anand Karaj rather than what any body requires. It is descriptive and not measured: it rests on published accounts of the ceremony, not on survey data, and no figure for the prevalence of anything appears on this page. Where translators disagree materially, the page says so rather than letting one rendering stand as settled. Where a date or an attribution could not be established to this project's standard, it has been left out rather than guessed at. Sikh codes of conduct are cited only in the sections on the live debates, where the dispute is itself about what has been written down.
The scripture, and how it was verified
The Gurmukhi was extracted programmatically, not transcribed, from the Shabad OS database — an open, versioned corpus digitised from physical printed saroops with photographic review and a public logbook of corrections. Each unit was selected by its address in the corpus rather than by matching a first line, and the extent of each was asserted against the printed stanza numerals at build time. Every line stores a SHA-256 of its Gurmukhi and the build refuses to run if one has changed.
What has not been done, stated plainly. searchgurbani.com is this page's authority of record and the tiebreak where sources differ. The intended second pull from it — a codepoint-level check that the characters which left the source are the characters that arrived here — has not yet been run, because the site is not reachable from the environment this page was built in. The check is scripted and waiting. Until it has run, and until a reader of Gurmukhi has confirmed the rendered text at projection size, every line on this page carries an under-review marker.
English translation: Dr. Sant Singh Khalsa, Khalsa Consensus Translation, as published on searchgurbani.com. Original Gurmukhi text: Sri Guru Granth Sahib, public domain. One translator is used throughout — no line on this page mixes translators. The literal word-order gloss and the reading romanisation are Punjabia's own first-pass authoring, scheduled for review; the ISO 15919 lane is generated mechanically from the Gurmukhi.
Sources
- Shiromani Gurdwara Parbandhak Committee, Sikh Reht Maryada: The Code of Sikh Conduct and Conventions, English translation — chapter XI, article XVIII, Anand Sanskār. The source for the written positions cited in the live debates, and a cross-check on the sequence of the ceremony. sgpc.net
- Shabad OS database (
@shabados/database) — the versioned open corpus the Gurmukhi and the English translation were extracted from. github.com/shabados/database - W. H. McLeod, Sikhs of the Khalsa: A History of the Khalsa Rahit (Oxford University Press, 2003), §7.30 “The Anand marriage ceremony” — the standard statement of the case that the Anand rite as a distinct Sikh liturgy is a nineteenth-century formalisation.
- Harjot Oberoi, The Construction of Religious Boundaries: Culture, Identity, and Diversity in the Sikh Tradition (University of Chicago Press, 1994) — on the Singh Sabha's reconstruction of Sikh ritual, and the place of the Anand rite in it.
- John C. B. Webster, The Nirankari Sikhs (Delhi: Macmillan, 1979) — the standard monograph on Baba Dayal, Baba Darbara Singh and the movement that first centred the marriage rite on the Adi Granth.
- Sheena Pall, “Issues of Sikh Identity: Sanatanist–Sikh Debate,” Journal of Punjab Studies 20:1–2 (2013), 193–216 — for the Anand Marriage Bill's passage through the Imperial Legislative Council and Bhai Kahn Singh Nabha's doctrinal groundwork.
- J. S. Grewal and Indu Banga, A Political Biography of Maharaja Ripudaman Singh of Nabha (Oxford University Press, 2018) — the fullest account of the bill's sponsor. Consulted at the level of its catalogue record only; a direct read is owed before this page makes any finer claim about who did what in 1909.
- Eleanor Nesbitt, Sikhism: A Very Short Introduction, 2nd ed. (Oxford University Press, 2016) — the general-reader starting point for Sikh practice and rites of passage.
- Doris R. Jakobsh, Relocating Gender in Sikh History: Transformation, Meaning and Identity (Oxford University Press, 2003) — for the gendered structure of the rite and its reform.
- Nikky-Guninder Kaur Singh, The Feminine Principle in the Sikh Vision of the Transcendent (Cambridge University Press, 1993), and “A Feminist Interpretation of Sikh Scripture,” ch. 50 in Pashaura Singh and Louis E. Fenech, eds., The Oxford Handbook of Sikh Studies (Oxford University Press, 2014), 606–24 — on the soul-bride imagery the lāvāṅ turn on.
- The statutes themselves: the Anand Marriage Act, 1909 (Act VII of 1909); the Anand Marriage (Amendment) Act, 2012 (Act 29 of 2012); and the Punjab Sikh Anand Karaj Marriage Act 2018 (Act VI of 2018, Punjab, Pakistan). The 2018 Act, full text
- Amanjot Singh Chadha v. Union of India, Supreme Court of India, 2025 — the direction to states and Union Territories to notify registration rules under the 1909 Act as amended.
Sourcing standard, and its limits. Sourcing on this page is encyclopaedic rather than archival: enough to establish what is agreed, what is disputed, and who disputes it — not enough to settle any of it. Items 3 to 10 were identified and their bibliographic details verified, but several were not read directly for this pass, and the page makes no claim that rests on a specific page of a book nobody here has opened. Two matters are live and were checked on 25 July 2026: the implementation status of the Pakistani Punjab Act of 2018, and compliance with the Indian Supreme Court's 2025 direction. Both were incomplete and still moving on that date, and both are described here in terms that should still read correctly in five years. Devotional websites turned up repeatedly in research and are not cited: they pointed at real facts, and the real facts needed real sources. All Gurmukhi on this page awaits native-reader review.
How this archive sources, labels and corrects its work: editorial standards.